19 April 2010
The last few weeks
Good morning honey
Go to work make up try to keep the balance up
Between love and money
She used to tie her hair up in ribbons and bows
Sign her letters with X's and O's
Got a picture of her mama in heels and pearls
She's tryin' to make it in her daddy's world
She's an American girl
An American girl
Slow dance second chance mama needs romance
And an live-in maid
Fix the sink mow the yard really isn't all that hard
If you get paid
he used to tie her hair up in ribbons and bows
Sign her letters with X's and O's
Got a picture of her mama in heels and pearls
She's tryin' to make it in her daddy's world
She's an American girl
An American girl
Well she's got her God and she's got good wine
Aretha Franklin and Patsy Cline
She used to tie her hair up in ribbons and bows
Sign her letters with X's and O's
Got a picture of her mama in heels and pearls
She's tryin' to make it in her daddy's world
She's an American girl
An American girl
She's an American girl
16 April 2010
Gay Bar
14 March 2010
Empathy
Aching inside, struggling with the need to run to one I’ve loved deeply, fighting the urge to hold them even knowing that it isn’t what he needs.
Angry for their pain and sympathetic to the cause of it, a whirlwind of emotions, own fears mixing with his pain and the mixture caustic in my throat, in my chest. I want to make it better!
….and I can’t.
No one can. Time, they say, heals all wounds, but Time is a harsh Master who forces suffering until he dispenses healing at his whim... and even then the scar remains.
It’s cold and dark outside and I don’t care, I want to walk through it to hold him but I know that in his own pain he would turn away because pain so enveloping can’t be shared, can’t be halved.
...it doesn’t make the desire any less strong.
12 March 2010
Quote
Movie Night
11 March 2010
08 March 2010
Loving violence
03 March 2010
Sex and violence
25 February 2010
Fantasy
Instead I growl in his ear, letting months of frustration harshen my already cold voice. "Beg for it, whore. I don't think you're worth any more of my fucking time, but I like to hear you beg."
His response is immediate and gratifying, writhing deliberately now against me, his muscular back against my breasts, his tiny ass cupped in the curve of my hips, the movement not only moving him along my cock but the base of my cock against my clitoris. It feels amazing, but it isn't what I told him so I wrap my hand around his throat and use my weight to press him into the bed.
24 February 2010
Gang rape
Standing, leaning against the wall with the others, watching her writhe, moan. Lewd comments spill from my lips in response to theirs, a growing, building web around her of ideas, expectations, fears, dreams…and soon, of actions.
My strap harness is tight around my hips, lacking only the weight of my cock but I can feel it in the back of my head and resting between my hips, guiding my more masculine stance against the wall, the objectification in my eyes, mocking arousal in my voice.
She is dragged to the room which we have prepared, whimpering, moaning, but not protesting once.
I am thankful for this, not sure that the cautious girl in my head could handle a true rape-scene just yet, and the boy in me is pressing the front of my face, shifting my expressions, ready to come out and to fuck this beautiful woman spread out before us like a banquet.
Only flashes now: pale skin kneeling before me, eager lips wrapped around my cock, soft baby-fine hair tangled in my fingers as I drag her along the length of me.
Dark skin against pale as she is slammed into, moved, a muffled scream of pleasure or pain but I don’t care right now and I doubt any of the others do, either.
My body angled against hers, and suddenly the boy is draining away and I am a woman about to fuck a woman and there is this moment of awkwardness, covered with dirty jokes as I learn the different angle necessary to fuck a woman rather than a man. A fumbling moment of strangeness, and then I am inside her. It doesn’t feel as natural as with a boy, and I am thrown off, missing my rhythm but struggling to find it for her. The angle is strange, the shape of her beneath me different- beautiful, warm-smelling and soft but strange and new.
Later, later, after the kissing, the cuddling, and the low-level flow of love, the strongest thing that I remember is the sense of camaraderie in the room with this helpless girl stretched beneath us. We were there, together, toward a goal and the sense of mutuality and camaraderie is tangible… and, yes, it included even she, our willingly unwilling victim, and the bounty of riches which she offered to us.
23 February 2010
Bad Poetry
18 February 2010
Missing
15 February 2010
A bit of Shiny
11 February 2010
10 February 2010
Shower sex fantasy
04 February 2010
CinErotic Film Fest in Atlanta!
CinErotic Film Fest brings a kinky, poly Valentines to Atlanta!
Erotic filmmakers from as far away as Singapore, Barcelona and Brazil entered films for the brand new CinErotic Film Fest, alongside homegrown filmmakers from Atlanta and Athens. All will be represented in CinErotic's three nights of screenings at Eyedrum Gallery next weekend, February 12-14.
Kink-O-Matic - Sunday, Feb 14, 6pm - $8
On Valentines' Day, the Fest will screen "sexy, smart, artful erotic short films with a twist — or a kink, if you will," says founder Kiki Carr. "These are films about sexuality that colors outside the lines, and celebrates all that is kinky, bdsm, leather or otherwise polymorphously perverse!"
Among the films featured are director Julie Simmon's "Dolls Fit," the refrain of the odd abusive mother in the film, as well as acclaimed Barcelona director Erika Lusts' view into the suave S&M that keeps sex fresh in "Married with Children." From San Francisco, director Anthony Viti's gives us the raunchy "Asspig" and his Gus Van Sant-esque motion pictures from behind-the-scenes at web pornhouse Kink.com in "Mission & 14th." Narcissister gets a spanky workout in "Self-Gratifier," and "Strap-on Owl Beak" chronicles an actor's descent into an underground of perversity. Select videos by virtuoso filmmaker Tom Chomont artfully depict the world of leather, BDSM, and erotic shaving with an intensity akin to spirituality.
Then there's no other film quite like Curt McDowell's "Pornografollies." This rare 16mm film from 1970 San Francisco features a succession of performers doing sexual/genital vaudeville acts. Described by the New York Times as "slapdash surrealism...a musical of sorts, a bisexual scatological revue full of bad jokes, good humor, and and a general content that I could not begin to describe here," Pornografollies
transmutes sexual variety into celebratory comedy. Valentines' Play Party hosted by WhipperSnappers at Spring4th Center
After the films, kinksters are invited to a special Valentine's Day play party at the Spring4th Center. The party starts at 8:30pm, and entry is only $5 -- and FREE! for CEFF ticket holders (from any screening). The play party is hosted by festival sponsor WhipperSnappers, an under-40 bdsm group, but isopen to anyone over 18. Spring4th Center is located at 728 Spring St. NW
Queer as F*ck - Friday, Feb 12, 8:30pm - $8
The "Queer" show Friday night treats viewers to erotic short films that appeal to boys, girls, transfolk and gender queers. The main attraction is "Tour de Pants," a new film by Luke Woodward of San Francisco featuring hot fags, transfolk and lesbian gangsters — in bicycle-related erotic scenes all over the sexual map.
Other shorts include "The Ginger," in which a sexy redhead seductively eats a turkey drumstick; "The Erotic Couch" by Athens artist Andrew Shearer shows what happens when a reluctant lesbian gets a magical velvet couch-cover; things aren't what they seem for a gay male couple in "Hitchcocked;" "Want" proves that differently abled queers can get what they desire; a handsome butch ranchhand takes home the cute femme lamb, in "The Sheep and The Ranchhand," and Narcissister dares you to put him/her in a gender box in "Man/Woman."If (when) the films leave you hot, bothered, and panting for more, head over to Mary's in East Atlanta for a free CEFF-sponsored make-out party for everyone.
Passion & Pleasures - Saturday, Feb 13, 8pm - $10 General Admission / $20 VIP
Make it a passionate Valentines to remember on Saturday night with a luxurious date special: for $20/person (surely one of the most recession-friendly Valentines' events!), you and your sweetie(s) get reserved seating up front on romantic couches, with sweet treats, and complimentary champagne (21+). VIP tickets are sold "per-person," rather than "per couple," making this a great Valentines' date night for singles, polyamorous partners, or couples!
But even regular ticket holders will swoon to the romantic short films in the line-up. "Vocolotion" by Atlanta's beloved artist R. Land ("Loss Cat") is his unique take on sex ed videos from years past. Some of his more famous images make cameos in this film and wind up in, literally, sticky situations. "The Flesh is Willing" is pure noir-infused erotica. "The Good Girl," by award-winning filmmaker Erika Lust, revisits the classic "pizza guy" porn cliche from the female point of view. Her newest short, "Handcuffs" is a brief glimpse into a sleek nightclub where sideways glances reveal a sexy secret.
"Headshot" and "Cocksucker," by two separate female directors, show the same act from opposite sides, in a breathless yet politically challenging take on, yes, the blowjob. Meanwhile, "Allen Ginsberg Gives Great Head" dissects Singaporean identity through the vaselined lens of an Adonis-like, self-pleasuring young hipster, and the Narcissister engages a "Hot Dog" in unseemly acts.
The 1963 short film "Christmas on Earth" is directed by famed filmmaker Barbara Rubin (who introduced Andy Warhol to the Velvet Underground). Curated by Andy Ditzler (Film Love), the film is set in a New York apartment where a group of men and women engage in an orgy, and is one of the earliest sexually explicit works of the American avant-garde, or by a female director.
All-Fest Passes!
Film buffs can purchase passes good for all three shows for a mere $25 -- or $35 for a VIP Fest Pass, including the VIP luxury experience on Saturday night — and organizers expect sell outs. All films will be shown at Eyedrum Gallery, 290 MLK Jr. Dr. SE, 30312.
CEFF is produced in part by Andy Ditzler's award-winning Film Love series, and PinkEye indie queer film salon. The Fest is generously funded by the Lloyd E. Russell Foundation, and supported by sponsors Dr. Bombay's, Spring4th Center, WhipperSnappers, Frolicon, and SouthEast Leather Fest. SPARK Reproductive Justice Now is the designated community partner.
For more information and to purchase tickets, visit www.cineroticfest.com

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